I like that.” I gave her that tape, and they took it. I said, “Would it really sound totally lame if I said I wanted to keep this one and write you another?” She said, “No, not at all.“ I had a few songs that I didn’t think I was going to use and “Stop Dragging My Heart Around” was one. I listened to it and I really liked the edge. And she immediately wanted to sing along. Can you put it down for me?” So I put the track down and I sang a vocal for the track. So I wrote her this song called “Insider.” And I really liked that song. Stevie Nicks wanted a song really bad for a couple years. And that whole line just emerged: “I hear you singing on my supernatural radio.” I loved the intro, because it takes a very long time for the guitars to come in and when they do, they just sound great. I got into that space and it drifted in, and the very next day I brought it to the band and we cut it. I wrote it at home one night after a session. I wrote that because I needed a couple of songs to make the album She’s The One. And then I realized that there’s probably nothing wrong at all. So I’d come back for days playing that tape, thinking there must be something wrong here because this just came too easy. I actually only spent three and a half minutes on that whole song. I mean, I just played it into a tape recorder and I played the whole song and I never played it again. Stream of consciousness: words, music, chords. I just took a deep breath and it came out. And he said, “Go up! Go up! Go up an octave.” So I went up an octave, and there it was. He said, “Freefalling.” And I didn’t even know what that meant, but I just sang it. And then I got to the chorus and I didn’t know what to do. And he’s there with his tape-recorder recording it. And he said, “Whew, that’s good.” And I said, “Really?” And he said, “Yeah.” And then, almost to make Jeff laugh, I ad-libbed the verses. I was just playing on a keyboard and Jeff was listening to this song. Actually, I think “Freefalling” was his line. Jeff Lynne sat beside me as I wrote that song. To celebrate Petty’s birthday today, let’s take a look at the stories, in his own words, behind 15 of these deceptively “simple” songs he’s written. It’s so simple you can walk right by it.”
So how much are we going to worry about it? As long as it’s got some soul to it, it’s going to be fine. “It’s an alternative music, rock and roll. “It’s not supposed to be that good,” he said smiling. Relatively unburdened by the label of genius that has been more frequently attached to Dylan, Simon, Springsteen, and others, Petty has easily leapfrogged past his first hits into a realm of previously unimagined, unencumbered songwriting, writing new songs as joyously freefalling and uncontrived as the best that rock and roll can be. “I couldn’t help feel it was like being told you’re an archer,” he said, “and you know you don’t even own a bow.” His reluctance to consider himself a poet is probably one of the reasons he endures as such an extraordinary and prolific songwriter. Years ago when his friend Bob Dylan told him he was a poet, Petty was flustered.
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